The Terraces

The complete catalog

The Gallery

Football in art and print, seven collections deep — from the engravers of the first internationals to the first morning of the World Cup. Each piece printed faithful to its source scan.

On walls around the world

Not a poster — the centrepiece of a room

Printed large on archival paper, gallery canvas, or framed — den, club bar, and supporters’-bar sizes first-class. Here, Thomas M. M. Hemy’s canvas of 1895 hung in four very different rooms.

Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895 — framed on the wall
Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895 — framed on the wall
Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895 — framed on the wall
Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895 — framed on the wall

The curated sets

The curated sets

The Illustrated Papers · 1870s–1880s

The First Game

The illustrated papers’ engravings of the 1870s and 80s — the early internationals and cup ties rendered as Victorian news. Before the photograph could catch a match, the engravers did.

The collection →
An International Football Match — the illustrated papers, the illustrated papers, 1870s

the illustrated papers · 1870s

An International Football Match

The new game as Victorian news — top hats on the touchline, the scrimmage in wood engraving.

Every institution was once a novelty item.
The Invincibles, 1888–89 — team photograph, period photograph, 1888–89

period photograph · 1888–89

The Invincibles, 1888–89

Preston North End, the first champions of the first league season — unbeaten, and photographed like it.

Some seasons never need replacing.
The Double Winners, 1896–97 — team photograph, period photograph, 1896–97

period photograph · 1896–97

The Double Winners, 1896–97

League and Cup in one season — the Victorian double, photographed at full plumage.

Sixty-four years passed before it was done again.

Newcastle Road, Sunderland · 1895

The Painted Match

Thomas M. M. Hemy’s Sunderland v. Aston Villa (1895) leads — the game’s great Victorian canvas, the sport admitted to the gallery while still in its boyhood.

The collection →
Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895

Thomas M. M. Hemy · 1895

Sunderland v. Aston Villa

The great Victorian football canvas — the match in oil, mid-attack, the crowd packed to the touchline.

Somebody always sees the future first and paints it.

J. Baines Ltd., Bradford · 1880s–1900s

The Card Collection

Pre-1931 footballer cards: the Baines shield cards of Bradford and the cigarette-card era. The playground currency of the first football generation — sold singly and as framed flights, because the set is the product.

The collection →
Baines Shield Cards (framed flight) — shield-shaped chromolithograph trade cards, J. Baines Ltd., Bradford, 1880s–1900s

J. Baines Ltd., Bradford · 1880s–1900s

Baines Shield Cards (framed flight)

The playground currency of the first football generation — shield-shaped chromolith cards, bold as banners.

Collecting is the first form of supporting.
The Gallery — every piece in the house · The Terraces