The Terraces

The complete catalog

The Gallery

Football in art and print, seven collections deep — from the engravers of the first internationals to the first morning of the World Cup. Each piece printed faithful to its source scan.

On walls around the world

Not a poster — the centrepiece of a room

Printed large on archival paper, gallery canvas, or framed — den, club bar, and supporters’-bar sizes first-class. Here, Thomas M. M. Hemy’s canvas of 1895 hung in four very different rooms.

Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895 — framed on the wall
Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895 — framed on the wall
Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895 — framed on the wall
Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895 — framed on the wall

The curated sets

The curated sets

The Illustrated Papers · 1870s–1880s

The First Game

The illustrated papers’ engravings of the 1870s and 80s — the early internationals and cup ties rendered as Victorian news. Before the photograph could catch a match, the engravers did.

The collection →
Lord Kinnaird, by Vanity Fair — Vanity Fair chromolithograph, Vanity Fair, 1912

Vanity Fair · 1912

Lord Kinnaird, by Vanity Fair

Nine Cup finals, five winner’s medals, one red beard — the great amateur, in chromolithograph.

The first celebrity of the game tackled like a landslide.

Crystal Palace 110,000 · Wembley 126,047

The Crowd

The Crystal Palace cup-final panoramas and the 1923 White Horse Final at Wembley — the terraces as the subject. A crowd this size is a kind of weather.

The collection →
The Cup Final at the Crystal Palace — press photograph, press photograph, 1901

press photograph · 1901

The Cup Final at the Crystal Palace

A hundred and ten thousand on the slopes of the Palace grounds, the pitch a distant rumor.

A crowd this size is a kind of weather.
The Cup Final Crowd, 1905 — press photograph, press photograph, 1905

press photograph · 1905

The Cup Final Crowd, 1905

The Palace slopes at their Edwardian height — the hillside as grandstand, the hats as weather.

The gathering was the story.
The Final in Play, 1905 — press photograph, press photograph, 1905

press photograph · 1905

The Final in Play, 1905

Aston Villa and Newcastle United at the Palace — the Edwardian final caught mid-motion.

The shutter gave the game its first evidence.
The King at the Final, 1914 — press photograph, 25 April 1914, press photograph, 1914

press photograph · 1914

The King at the Final, 1914

George V presents the Cup at the Palace — the first monarch ever to attend a final.

The game joined the national furniture.
The Khaki Final, 1915 — press photograph, 24 April 1915, press photograph, 1915

press photograph · 1915

The Khaki Final, 1915

The last final before the guns — the terraces half in uniform, the game about to stop.

The fixture list is a kind of peace treaty.

J. Baines Ltd., Bradford · 1880s–1900s

The Card Collection

Pre-1931 footballer cards: the Baines shield cards of Bradford and the cigarette-card era. The playground currency of the first football generation — sold singly and as framed flights, because the set is the product.

The collection →
Footballers of the Edwardian Series (framed flight) — tobacco card lithography, tobacco card lithographers, c. 1908

tobacco card lithographers · c. 1908

Footballers of the Edwardian Series (framed flight)

The Edwardian professionals in chromolith miniature — arms folded, hair parted, immortal at two inches tall.

Fame used to fit in a waistcoat pocket.
Billy Meredith — period photograph, period photograph, c. 1905

period photograph · c. 1905

Billy Meredith

The Welsh wizard at the wing, toothpick in place — the game’s first superstar, thirty seasons long.

Longevity is the rarest trophy.
The Cup Winners’ Postcard, 1913 — picture postcard, postcard publishers, 1913

postcard publishers · 1913

The Cup Winners’ Postcard, 1913

The team as a picture postcard — Edwardian football’s answer to the broadcast.

The postman was the first football broadcaster.

Jobbing printers · c. 1910

The Match Bill

Period letterpress fixture bills and programmes — the typography of Saturday. The kick-off hour, the admission price, the exclamation points earned.

The collection →
A Letterpress Fixture Bill — letterpress fixture bill, jobbing printers, c. 1910

jobbing printers · c. 1910

A Letterpress Fixture Bill

Saturday, set in wood type: the kick-off hour, the admission price, the exclamation points earned.

Kick-off is the oldest deadline that makes people happy.

Agence Rol · Paris · 1920–1927

The Continent

Paris between the wars, on glass. The Agence Rol photographers worked the Bergeyre, the Pershing, Colombes and the Buffalo every Sunday for a decade, and the plates survive at a resolution nothing else from this period comes close to. The game had left Britain; here is where it went.

The collection →
The Bordeaux Ground, 1908 — glass plate negative, Agence Rol, Agence Rol, 1908

Agence Rol · 1908

The Bordeaux Ground, 1908

The earliest surviving Rol plate of the French game — a provincial ground before the crowds arrived.

Everything starts on a field with a rope round it.

Back row standing · 1907–1924

The Eleven

The team photograph — the oldest ritual in the game and the one that never changed. Arms folded, back row standing, the ball on the ground in front with the year painted on it. Barnsley to Geneva, 1907 to 1924.

The collection →
A Yorkshire Eleven, 1909 — club photograph, Unknown photographer, 1909

Unknown photographer · 1909

A Yorkshire Eleven, 1909

Back row standing, front row seated, ball on the ground with the season painted on it.

The pose outlasted the moustaches, the boots, and the century.
A Market-Town Eleven, 1910–11 — club photograph, season 1910–11, Unknown photographer, 1910

Unknown photographer · 1910

A Market-Town Eleven, 1910–11

The whole pyramid’s foundation — a small-town side, photographed as carefully as any champion.

The game is made of the four hundred clubs that are not famous.
A Haarlem Eleven, 1907 — club photograph, Unknown photographer, 1907

Unknown photographer · 1907

A Haarlem Eleven, 1907

The Dutch game at the water’s edge — the oldest continental club photograph in the house.

A sport travels as a rulebook and a pose.
The Gallery — every piece in the house · The Terraces