The Terraces
The ink — every line and halftone dot holds at full size

The Painted Match

La futbolista rubia, c. 1926

A Mexican painter in Paris paints a woman footballer, and paints her as an athlete.

Work
oil on canvas
Maker
Ángel Zárraga
Date
c. 1926
Era
The interwar game · 1919–1930
Source
Wikimedia Commons
Painted as an athlete, and nothing less.

Format

The full-resolution scan, colour-managed to the source — yours to print, study, and explore.

Size

$29.00

The story

La futbolista rubia, the fair-haired footballer, an oil on canvas by the Mexican painter Ángel Zárraga from about 1926. Zárraga, born in Durango in 1886, did much of his work in France, where he painted murals at the Cité Internationale Universitaire de Paris and decorated the Mexican embassy. His work was entered in the art competitions of the 1928 and 1932 Olympic Games. In the 1920s women’s football in France had a national championship of its own, run since 1919, and Zárraga painted a player from that world with the seriousness he gave to everything else.

See it on your wall

The piece, in the room it was made for

La futbolista rubia, c. 1926, printed large and framed — in the den, the club bar, the supporters’ bar. Every edition ships ready to become the piece the room is built around.

La futbolista rubia, c. 1926 framed on the wall
La futbolista rubia, c. 1926 framed on the wall
La futbolista rubia, c. 1926 framed on the wall
La futbolista rubia, c. 1926 framed on the wall

About this reproduction

  • A reproduction of oil on canvas — Ángel Zárraga, c. 1926 — from the copy held by Wikimedia Commons. The source. The work was published before 1931 and is public-domain verified.
  • Printed faithful to that source scan — restore honestly, disclose always. We do not re-colour it, complete it, or interpret it; the piece you receive is the image as it survives, halftone grain honored as history, not damage.
  • Printed to order on museum-grade cotton-rag stock with pigment inks — the pairing is rated 100+ years.
  • Colour-managed to the source; the tone of the paper and the ink is the period’s, not ours.
  • Ships in 5–10 business days, rolled in a heavy-wall tube (framed editions ship flat-packed).
  • If it arrives less than perfect, we reprint or refund — your choice.

Why our pieces cost more than a poster: a poster is a mass run on wood-pulp stock, colour-corrected to whatever flattered the press that day. This is one sheet, pulled for you, at a size where the maker’s hand is visible — the linework, the halftone grain, the lettering — on materials made to outlast their owner.

From the same collection

Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895

Thomas M. M. Hemy · 1895

Sunderland v. Aston Villa

The great Victorian football canvas — the match in oil, mid-attack, the crowd packed to the touchline.

Somebody always sees the future first and paints it.
Football, a Painting by Thomas Webster, 1839 — oil painting, Thomas Webster, 1839

Thomas Webster · 1839

Football, a Painting by Thomas Webster, 1839

The schoolyard game, painted by the man who made a career of schoolyards.

Before the rules, there was the scramble.
Dynamism of a Soccer Player, 1913 — oil painting, Umberto Boccioni, 1913

Umberto Boccioni · 1913

Dynamism of a Soccer Player, 1913

The Futurists paint a footballer as pure movement, a calf at the centre of the storm.

A footballer, painted as the force he makes.