The Terraces
The ink — every line and halftone dot holds at full size

The Painted Match

Dynamism of a Soccer Player, 1913

The Futurists paint a footballer as pure movement, a calf at the centre of the storm.

Work
oil painting
Maker
Umberto Boccioni
Date
1913
Era
The Edwardian game · 1901–1918
Source
Museum of Modern Art, New York · via Wikimedia Commons
A footballer, painted as the force he makes.

Format

The full-resolution scan, colour-managed to the source — yours to print, study, and explore.

Size

$29.00

The story

Umberto Boccioni painted this in 1913, three years before his death, as a Futurist answer to the question of how to paint speed. There is no pitch here and no ball you can point to. The footballer is taken apart into the forces of his own movement: his calf sits near the centre of the canvas and fragments of the rest of his body turn around it. The painting is held by the Museum of Modern Art in New York. Every other picture in this house shows a game from the touchline; this one tries to show what a game feels like from inside the player.

See it on your wall

The piece, in the room it was made for

Dynamism of a Soccer Player, 1913, printed large and framed — in the den, the club bar, the supporters’ bar. Every edition ships ready to become the piece the room is built around.

Dynamism of a Soccer Player, 1913 framed on the wall
Dynamism of a Soccer Player, 1913 framed on the wall
Dynamism of a Soccer Player, 1913 framed on the wall
Dynamism of a Soccer Player, 1913 framed on the wall

About this reproduction

  • A reproduction of oil painting — Umberto Boccioni, 1913 — from the copy held by Museum of Modern Art, New York · via Wikimedia Commons. The source. The work was published before 1931 and is public-domain verified.
  • Printed faithful to that source scan — restore honestly, disclose always. We do not re-colour it, complete it, or interpret it; the piece you receive is the image as it survives, halftone grain honored as history, not damage.
  • Printed to order on museum-grade cotton-rag stock with pigment inks — the pairing is rated 100+ years.
  • Colour-managed to the source; the tone of the paper and the ink is the period’s, not ours.
  • Ships in 5–10 business days, rolled in a heavy-wall tube (framed editions ship flat-packed).
  • If it arrives less than perfect, we reprint or refund — your choice.

Why our pieces cost more than a poster: a poster is a mass run on wood-pulp stock, colour-corrected to whatever flattered the press that day. This is one sheet, pulled for you, at a size where the maker’s hand is visible — the linework, the halftone grain, the lettering — on materials made to outlast their owner.

From the same press

Football, a Painting by Thomas Webster, 1839 — oil painting, Thomas Webster, 1839

Thomas Webster · 1839

Football, a Painting by Thomas Webster, 1839

The schoolyard game, painted by the man who made a career of schoolyards.

Before the rules, there was the scramble.
Sunderland v. Aston Villa — Sunderland v. Aston Villa (oil on canvas), Thomas M. M. Hemy, 1895

Thomas M. M. Hemy · 1895

Sunderland v. Aston Villa

The great Victorian football canvas — the match in oil, mid-attack, the crowd packed to the touchline.

Somebody always sees the future first and paints it.
La futbolista rubia, c. 1926 — oil on canvas, Ángel Zárraga, c. 1926

Ángel Zárraga · c. 1926

La futbolista rubia, c. 1926

A Mexican painter in Paris paints a woman footballer, and paints her as an athlete.

Painted as an athlete, and nothing less.