The Terraces
The ink — every line and halftone dot holds at full size

The Continent

The Italy Eleven at Colombes, 1927

Italy at Colombes, with Baloncieri standing at the centre and Levratto holding a knee.

Work
press photograph
Maker
Agence Rol
Date
1927
Ground
Stade de Colombes, Paris
Era
The interwar game · 1919–1930
Source
Bibliothèque nationale de France, Gallica · via Wikimedia Commons
The caption reads like a stage direction.

Format

The full-resolution scan, colour-managed to the source — yours to print, study, and explore.

Size

$29.00

The story

Colombes, 24 April 1927, the Italian national team. The Agence Rol caption picks out two players: Virgilio Levratto, crouching and holding a knee, and Adolfo Baloncieri, standing at the centre. Baloncieri, of Torino, has been called one of the greatest playmakers Italy ever produced, and he would lead his country to the bronze at Amsterdam the next year. Levratto was a striker of twenty-two. The caption reads like a stage direction, and the photograph obeys it: the man at the centre stands, the striker nurses his knee, and the eleven wait between them.

See it on your wall

The piece, in the room it was made for

The Italy Eleven at Colombes, 1927, printed large and framed — in the den, the club bar, the supporters’ bar. Every edition ships ready to become the piece the room is built around.

The Italy Eleven at Colombes, 1927 framed on the wall
The Italy Eleven at Colombes, 1927 framed on the wall
The Italy Eleven at Colombes, 1927 framed on the wall
The Italy Eleven at Colombes, 1927 framed on the wall

About this reproduction

  • A reproduction of press photograph — Agence Rol, 1927 — from the copy held by Bibliothèque nationale de France, Gallica · via Wikimedia Commons. The source. The work was published before 1931 and is public-domain verified.
  • Printed faithful to that source scan — restore honestly, disclose always. We do not re-colour it, complete it, or interpret it; the piece you receive is the image as it survives, halftone grain honored as history, not damage.
  • Printed to order on museum-grade cotton-rag stock with pigment inks — the pairing is rated 100+ years.
  • Colour-managed to the source; the tone of the paper and the ink is the period’s, not ours.
  • Ships in 5–10 business days, rolled in a heavy-wall tube (framed editions ship flat-packed).
  • If it arrives less than perfect, we reprint or refund — your choice.

Why our pieces cost more than a poster: a poster is a mass run on wood-pulp stock, colour-corrected to whatever flattered the press that day. This is one sheet, pulled for you, at a size where the maker’s hand is visible — the linework, the halftone grain, the lettering — on materials made to outlast their owner.

From the same hand

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Lisbon and Barcelona in Paris, Boxing Day 1920 — glass plate negative, Agence Rol, 26 December 1920, Agence Rol, 1920

Agence Rol · 1920

Lisbon and Barcelona in Paris, Boxing Day 1920

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An English Club in Paris, May 1921 — glass plate negative, Agence Rol, 15 May 1921, Agence Rol, 1921

Agence Rol · 1921

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