The Terraces
The ink — every line and halftone dot holds at full size

The Dick, Kerr Ladies

The Dick, Kerr Ladies at Goodison Park

Boxing Day 1920: fifty-three thousand paid to watch the munition works’ team.

Work
press photograph, 26 December 1920
Maker
press photograph
Date
1920
Ground
Goodison Park
The crowd
53,000
Era
The interwar game · 1919–1930
Source
Unknown press photographer, 1920 · Wikimedia Commons
The gate receipts knew the truth first.

Format

The full-resolution scan, colour-managed to the source — yours to print, study, and explore.

Size

$29.00

The story

Boxing Day, 1920. Fifty-three thousand people paid at the Goodison Park turnstiles — with an estimated ten thousand more locked outside — to watch the works team of Dick, Kerr & Co., munitions manufacturers of Preston, beat St Helens Ladies 4–0. It was the women’s game at a height it would wait decades to see again. Within a year the Football Association banned women from its members’ grounds, calling the game unsuitable; this collection tells that plainly, because the record is the point. The crowd is the evidence — nobody bans a failure. The gate receipts knew the truth first.

See it on your wall

The piece, in the room it was made for

The Dick, Kerr Ladies at Goodison Park, printed large and framed — in the den, the club bar, the supporters’ bar. Every edition ships ready to become the piece the room is built around.

The Dick, Kerr Ladies at Goodison Park framed on the wall
The Dick, Kerr Ladies at Goodison Park framed on the wall
The Dick, Kerr Ladies at Goodison Park framed on the wall
The Dick, Kerr Ladies at Goodison Park framed on the wall

About this reproduction

  • A reproduction of press photograph, 26 December 1920 — press photograph, 1920 — from the copy held by Unknown press photographer, 1920 · Wikimedia Commons. The source. The work was published before 1931 and is public-domain verified.
  • Printed faithful to that source scan — restore honestly, disclose always. We do not re-colour it, complete it, or interpret it; the piece you receive is the image as it survives, halftone grain honored as history, not damage.
  • Printed to order on museum-grade cotton-rag stock with pigment inks — the pairing is rated 100+ years.
  • Colour-managed to the source; the tone of the paper and the ink is the period’s, not ours.
  • Ships in 5–10 business days, rolled in a heavy-wall tube (framed editions ship flat-packed).
  • If it arrives less than perfect, we reprint or refund — your choice.

Why our pieces cost more than a poster: a poster is a mass run on wood-pulp stock, colour-corrected to whatever flattered the press that day. This is one sheet, pulled for you, at a size where the maker’s hand is visible — the linework, the halftone grain, the lettering — on materials made to outlast their owner.

From the same hand

The Cup Final at the Crystal Palace — press photograph, press photograph, 1901

press photograph · 1901

The Cup Final at the Crystal Palace

A hundred and ten thousand on the slopes of the Palace grounds, the pitch a distant rumor.

A crowd this size is a kind of weather.
The White Horse Final — press photograph, 28 April 1923, press photograph, 1923

press photograph · 1923

The White Horse Final

Billie the grey police horse, alone in a sea that swallowed the pitch — Wembley’s first final.

The game belongs to whoever shows up.
The Cup Final Crowd, 1905 — press photograph, press photograph, 1905

press photograph · 1905

The Cup Final Crowd, 1905

The Palace slopes at their Edwardian height — the hillside as grandstand, the hats as weather.

The gathering was the story.