The Terraces
The ink — every line and halftone dot holds at full size

The Match Bill

Crítica, Buenos Aires, 6 June 1928

Buenos Aires wakes to six goals against Egypt across its whole front page.

Work
newspaper front page
Maker
Crítica
Date
1928
Era
The interwar game · 1919–1930
Source
Crítica, Buenos Aires · via Wikimedia Commons
An ocean away, the city read it as its own.

Format

The full-resolution scan, colour-managed to the source — yours to print, study, and explore.

Size

$29.00

The story

The front page of Crítica, the Buenos Aires daily, on 6 June 1928, issue 5344. It gives itself over to a detailed chronicle of the Olympic semi-final in Amsterdam, Argentina six, Egypt nothing. A match played on the other side of the ocean arrived in Buenos Aires as type and pictures across the whole page, and a city read it as its own. Argentina went on to the final and lost to Uruguay, in the last Olympic tournament before the World Cup. The house holds the Montevideo bill for the first World Cup two years later; this page is where Argentina’s side of that story begins.

See it on your wall

The piece, in the room it was made for

Crítica, Buenos Aires, 6 June 1928, printed large and framed — in the den, the club bar, the supporters’ bar. Every edition ships ready to become the piece the room is built around.

Crítica, Buenos Aires, 6 June 1928 framed on the wall
Crítica, Buenos Aires, 6 June 1928 framed on the wall
Crítica, Buenos Aires, 6 June 1928 framed on the wall
Crítica, Buenos Aires, 6 June 1928 framed on the wall

About this reproduction

  • A reproduction of newspaper front page — Crítica, 1928 — from the copy held by Crítica, Buenos Aires · via Wikimedia Commons. The source. The work was published before 1931 and is public-domain verified.
  • Printed faithful to that source scan — restore honestly, disclose always. We do not re-colour it, complete it, or interpret it; the piece you receive is the image as it survives, halftone grain honored as history, not damage.
  • Printed to order on museum-grade cotton-rag stock with pigment inks — the pairing is rated 100+ years.
  • Colour-managed to the source; the tone of the paper and the ink is the period’s, not ours.
  • Ships in 5–10 business days, rolled in a heavy-wall tube (framed editions ship flat-packed).
  • If it arrives less than perfect, we reprint or refund — your choice.

Why our pieces cost more than a poster: a poster is a mass run on wood-pulp stock, colour-corrected to whatever flattered the press that day. This is one sheet, pulled for you, at a size where the maker’s hand is visible — the linework, the halftone grain, the lettering — on materials made to outlast their owner.

From the same collection

A Letterpress Fixture Bill — letterpress fixture bill, jobbing printers, c. 1910

jobbing printers · c. 1910

A Letterpress Fixture Bill

Saturday, set in wood type: the kick-off hour, the admission price, the exclamation points earned.

Kick-off is the oldest deadline that makes people happy.
The First Wembley Programme, 1923 — match programme, 28 April 1923, programme printers for the Empire Stadium, 1923

programme printers for the Empire Stadium · 1923

The First Wembley Programme, 1923

The programme of the White Horse Final — sold to a crowd that could not open its arms to read it.

The ephemera outlived the emergency.
Grand Match de Football, 21 November 1921 — letterpress match bill, 21 November 1921, Jobbing printer, Sarreguemines, 1921

Jobbing printer, Sarreguemines · 1921

Grand Match de Football, 21 November 1921

A jobbing-printer match bill from the Moselle, at nearly thirteen thousand pixels.

A poster is a hierarchy of shouts, well arranged.